Archive for March, 2006

Theres no water for the flames

All things are on fire. And what are all these things which are on fire?

The street is on fire; the gas station is on fire; Great sinkholes are on fire; buildings are on fire; and whatever burns, be it animal, vegetable, or mineral, that also is on fire.

And with what are these on fire?

With the fire of coal, say I, with the fire of anthracite, with the fire of gas and minerals dwelling beneath the earth; with carbon, hydrogen, oxygen, nitrogen and varying amounts of sulphur are they on fire.

The moral of the story is, to paraphrase Smokey the Bear: “Nobody can prevent giant underground fires.

He said a lot of things

It’s pretty much useless trying to tell people that not *all* Bob Dylan vocals are whiny and unintelligible, but if you’re looking for someplace to start finding this out on your own, this is the album to start with. Helpfully, An Aquarium Drunkard has posted a bunch of mp3s from the Bob Dylan / Johnny Cash recording sessions that preceded the album’s release. The Dylan / Cash duets themselves are a bit shaky, but Bob’s own tunes sound pretty great:

Bob Dylan - Peggy Day

Of course, people who want to go ahead and confirm that many of Dylan’s albums *are* entirely whiny and unintelligible would do well to check out his early 90s output, such as World Gone Wrong and etc.

Bob Dylan - Blood In My Eyes

Couch Cushions Fused With Potato Chips

MSNBC: “Tests with neurons could lead to better computers, brain treatments.”

Or, you know… cyborgs and telepathy.

The Good Will Out

Look out Snow Patrol and Coldplay, the kings of wuss-rock are back:

Embrace - Natures Law

Embrace - No Use Crying

Embrace - Target

Sorted

I came across this CD in my binder of old discs the other day and I thought… “I should post these b-side tracks on my site!” I think there’s something here that everyone can appreciate, even if they’ve never heard of Pulp before. For those that have listened to some Pulp though, you’ll enjoy how unique these tracks sound, with regards to the rest of their recordings.

Pulp - Ladies Man

Pulp - The Professional

And for completeness’ sake. Here is the A-side, and its remix:

Pulp - This Is Hardcore

Pulp - This Is Hardcore (Remix)

Gas Giant

Oh, so that’s what it looks like from the bottom!

(via rw)

Parallel Process

August 2005: Wired Magazine - We Are the Web

March 2006: Newsweek - Putting the ‘We’ in Web

The first one I’ve linked to before, but it’s worth reading again. I’m slightly amused by the fact that the Newsweek article can’t seem to decide whether the future of the web belongs to “You” or “Us” (Only *who* can prevent forest fires? =) But I suppose these types of semantic snafus are to be expected as the mass media turns a camera on it’s own disintegration. (Also amusing is the picture of the guy next to the “How geeky are you?” quiz. Did he just see goatse?)

If you contract anis 100 times everyday

Malarkey? Or effective way?

Everything Came Through Punk (Part 1)

Some stuff I’ve been meaning to post about for awhile has come into slightly sharper mental focus recently, so I thought I’d make an attempt at it. I’m going to post in a few segments, because it’s coming out pretty long. Perhaps when I’m done I’ll edit it down and repost a slightly less rambling version. =)

So, as I mentioned previously, a lot of the talk at GDC this week was about the various aspects of Online Game economies. There was also quite a bit of discussion on the related topic of user-created content and players’ rights / responsibilities / etc.

The thing I find really fascinating about all these issues is how much they parallel a wider set of concerns now facing the internet and society in general. Since day one, the web has existed as a largely user-driven medium. Unlike television, radio and almost every form of communication technology preceding it, the web was designed to make publishing content as cheap and easy as accessing it.

Of course, the reality of things has not always lived up to this goal. As recently as 3 or 4 years ago, publishing even the most basic text pages to the web required at least some level of expertise with things like FTP, HTML and UNIX file permissions. In spite of all this, new web pages began appearing at an increasing rate. Of course, many of the earliest examples of personal web publishing were of the “Welcome to my Homepage. Here is a list of William Shatner jokes!” variety, but this was unsurprising. As with many new technologies, the question of *what* to use it for lagged far behind that of *how* to do it. The situation was somewhat unique however, since many people’s experience with the web was in fact their first with any form of publishing.

From the perspective of the traditional mass media, this must have seemed like a recipe for disaster. After all, it was through their hard work as a filter for talent and quality that the most deserving and entertaining films, literature and music were brought to the attention of consumers, dammit! And even if a talented author were to self-publish on the web, how the hell would anyone be able to find them, amongst all the various other crap (e.g. the thousands of aforementioned Shatner Jokes) out there?! Clearly these “inter-nets” had a thing or two to learn from Big Content!

Except… Oops. It didn’t quite work out that way, did it? And I’m not saying this in a snarky “Ha ha! Napster broke your distribution model!” either. Oh no, this is no time to boast! =) Because any sales lost to illegal downloads of the latest 50 Cent track or DivX copies of the new Harry Potter from Napster and it’s successors are only symptoms of much larger (and more interesting) problems facing film studios and record labels today. By fixing their gaze on the finger instead of where it is pointing, the MPAA and RIAA are missing all the heavenly glory of peer-to-peer networking. And why? I think it has something to do with simple terminology.

For as long as anyone my age (and probably much older, too) can remember, Americans (and people in most other industrialized nations) have been continually reminded what role they are expected to play in their country’s politics and economy. We are reminded by the term used more frequently than any other when referring to members of the general public. Are we “residents?” Or maybe even “citizens?” Nope… We are just “consumers.”

…okay, more to come on this over the next day or two. If I haven’t posted anything by Wednesday, send a search party!

Complete the Motion if you Stumble

A couple of interesting articles appeared in the local paper here recently. Both detail the corporate/political infighting and lack of ideological tenacity behind some pretty large scale fuck-ups in the Bay Area. First there’s this extensive history of delays to the construction of the new eastern span of the Bay Bridge and then we have a brief retelling of the decline and fall of Sony’s Metreon (which was recently purchased by uber-mall-developers Westfield). In both cases there were plenty of innovative ideas on the table, but by the time the lawyers and politicians and financiers finished their elaborate circle-jerkery the reality bore little resemblance to the ideal.

Re: the Metreon:

“It was supposed to be a place where you couldn’t tell where the entertainment ended and the retail began; What got created was a shopping mall with gated attractions that you had to pay to get into. It wasn’t very fun, and the public reacted to that.”

Worse still, it was a mall that sold only Sony music, games and DVDs (at least as far as I could tell) that was located a few blocks away from dozens of non-proprietary shopping centers. Not a real obvious recipe for success, I’d imagine… =P