Archive for November, 2006

Extremi primorum, extremis usque priores

I’ve had a couple of people ask me in the last few days whether I was planning to post a “Best of 2006″ mix on here. Well of *course* I am, but I had forgotten how close to the end of 2006 we’re getting, so I’ll have to get serious about this if it’s going to get posted anywhere near on time =) In the meantime, please to be enjoying this best of 2006 list from Tomorrowland.org. It’s a bit of a stretch, as the list includes any music that the curator became aware of and/or first listened to in 2006, even if it wasn’t originally recorded this year. Not that I am at all calling “Shenanigans!” on this practice though. In fact, I like the idea so much that I may end up sneaking in some older tracks in my eventual mix as well.

Of the tracks from the Tomorrowland mix, I found the Solo Piano piece (”Dot”) by Gonzales to be the most immediately gripping:

Gonzales - Dot

I went ahead and acquired the album (which was initially released in 2004) and it is pretty terrific all the way through. Something about the way the record preserves the occasional fumbled note or tempo change gives the whole thing a really cohesive atmosphere. Here’s a couple more tracks:

Gonzales - Overnight

Gonzales - Gogol

For some reason, the sound of the piano in these recordings give me a kind of Mister Rogers’ Neighborhood vibe. Also, my personal listening tests (back in Chicago, this morning) have confirmed that it is excellent music for a “bleh” kind of rainy day. Though from what I hear, you guys are going to need some music to watch snow by pretty soon. Still working on that one, so in the meantime, just try not to listen to any Snow!

I’m with it. I’m hip!

A recent TechCrunch post informs us that “CBS Is Pretty Damned Excited About YouTube” and discusses the impact that putting “official” CBS videos on YouTube has had on ratings and so forth. It then goes on to talk about the the debate raging at various other networks on whether to follow suit, or to find a “different” online video solution.

Anyway, I clicked through to look at one of the clips CBS has posted on YouTube and from there clicked onwards to the CBS video portal that’s linked in their profile. Based on this 60 second investigation, I can fully appreciate why CBS is “excited” about YouTube, because their *own* video site sucks total balls. Here’s why…

  1. It’s called “Innertube” Uh… sorry, were you trying to say “Inter-tube” or even “The Inter-tubes” because that actually would have been kind of amusing, to people who stay current on internet stuff.
  2. It’s all “pretty” in a way that YouTube really isn’t. This just serves to remind me that I’m being “marketed to” and colors my whole experience. (Interestingly, it *isn’t* heavily CBS branded, so what was the point of even building your own portal, if not to draw viewers to you network?)
  3. It uses REAL-FUCKING-VIDEO for streaming content. So my experience is that I’m all happily clicking away, looking at flash videos on YouTube, and then when I click through to the Innertube site, I have to deal with dumb browser compatibility issues, and crappy controls and all that junk. It’s like going from a sports car to a mini-van and it just serves to remind me of how much I’d rather be watching YouTube

So yeah… I know that networks probably want to put their own “branded” solutions together, so they can get a piece of that sweet advertising pie, and control exactly which clips from their shows are available, but based on my experience here, I’d have to advise them to stick to what they do best (making content) and leave the online presentation to people who aren’t going to totally ruin it. Not to suggest that they shouldn’t negotiate with YouTube for an ad revenue split or anything like that, but the last thing in the world that we need right now are 12 different video sites, each with their own interface and encoding scheme. I mean, the great thing about TV is that I can watch FOX and CBS on the same device, right? It’s hard to fuck that kind of easy compatibility up, but I remain confident that if anyone can do it, it is mainstream media.

(Note: I realize that my remarks above contain a bit of an exaggeration. Obviously there are only 5 major media companies left, so even allowing for blatant mis-management and implementation, we’d probably only end up with 7 or 8 shitty YouTube clones, instead of the 12 that I initially alleged. =)

A warm, lizardy kind of day

The world’s second most reclusive, retired comic artist grants an interview about his career and his work with wildlife conservation groups.

Larson says his interest in science, or at least creepy-crawly things, probably had its start at his grandparents’ house on Fox Island in Puget Sound just off the Tacoma Wash. Shore.

“They lived by a great swamp. Today it would be called a wetland. But it was a textbook swamp. Crystal clear water, sandy bottom. Salamanders everywhere.” It was fed by a small creek and right behind the high tide drift line. The “frosting on the cake” was that the area was a major habitat for western fence lizards.

It was a “wondrous place” where he spent hours playing as a boy, Larson says.

Today the swamp is gone. “Filled in and a house or two now stands there, and the creek is just a landscape feature through someone’s yard. But the other creepy thing is that, while the drift line is obviously still there, the lizards are all gone. I’ve gone looking for them, walking among the driftwood on a warm, lizardy kind of day. Not a one.”

For Those of Y’all Who Wear Fanny Packs

Ben Folds - Bitches Ain’t Shit

Slackers of the World, Unite and Take Over

I read this phenomenal essay, by John Taylor Gatto recently, about the unspoken “lessons” being imparted upon kids by the modern, institutionalized school system. Example:

3. INDIFFERENCE

The third lesson I teach kids is indifference. I teach children not to care about anything too much, even though they want to make it appear that they do. How I do this is very subtle. I do it by demanding that they become totally involved in my lessons, jumping up and down in their seats with anticipation, competing vigorously with each other for my favor. It’s heartwarming when they do that; it impresses everyone, even me. When I’m at my best I plan lessons very carefully in order to produce this show of enthusiasm. But when the bell rings I insist that they stop whatever it is that we’ve been working on and proceed quickly to the next work station. They must turn on and off like a light switch. Nothing important is ever finished in my class, nor in any other class I know of. Students never have a complete experience except on the installment plan.

Indeed, the lesson of the bells is that no work is worth finishing, so why care too deeply about anything? Years of bells will condition all but the strongest to a world that can no longer offer important work to do. Bells are the secret logic of schooltime; their logic is inexorable. Bells destroy the past and future, converting every interval into a sameness, as the abstraction of a map renders every living mountain and river the same, even though they are not. Bells inoculate each undertaking with indifference.

I also found a great interview with him, in the FastCompany archives. The interview was conducted by the author Daniel Pink, which pleases me as it provides an efficient segue into this one mp3 that I have been meaning to post for forever.

So Daniel Pink wrote this book (A Whole New Mind) that I saw at the Borders in Santa Cruz when I was out here interviewing at Apple last year. It looked interesting, but it was a hardcover, so I thought maybe I’d wait until it came out in paperback, and pick it up then, as it would be cheaper. (Library? What’s that? =) To remind myself about it, I subscribed to the RSS feed for the author’s blog, since I figured he’d probably make a post about the paperback release when it happened. So eventually it did come out in paperback, but I ended up losing interest slightly, and not actually buying it. I did stay subscribed to the RSS feed however, and was rewarded one day when this was posted:

Wyatt Jackson - A Whole New Mind Rap

Apparently this guy Wyatt Jackson, “a Boston-based hip-hop artist and entrepreneur,” *had* actually read the book, and felt compelled to make a song about it. But seriously though, the John Taylor Gatto essay and interview are both flat-out genius, and quite inspirational reads. I had always felt some sort of vaguely defined ill will or um… what’s the word I’m looking for here? Bitter Contempt, let’s say… towards school in general, and while I’m the first to admit that much of that probably follows from my inherent desire to just not get up first thing in the morning, Gatto’s theories have helped to clarify and focus a lot of the *other* beefs that I had (and still have) with K-12, as we know it.

…And with regards to the laziness issue, I’m not entirely taking responsibility for that either. Or, to put it another way, I’m prouder than ever to be an Idler, after reading some of the essays in The Idler’s Companion. It serves as a nice counter-point to Gatto’s stuff, as it sets up Idling, or the “stealing” of time from the grips of industry and efficiency, as the natural reaction to the type of punch-clock society that institutional schooling helps create.

Included are dozens of essays and selections from the larger works of various authors, which all proclaim the pleasure and virtue of loafing about, reading and/or playing pinball. Societies without adequately developed concepts of leisure and play, we are reminded, are the ones that most often subject themselves to violent and impersonal systems of hierarchy and control. The collection is right there with Huxley’s Perennial Philosophy in terms of anthologies, and is well worth the £7.50 and interminable wait (faster maybe in the UK?) for delivery. Mine did come with a hand-written thank-you note though, so I can’t really complain. If anyone’s entitled to take their sweet time with shipping, it’s these guys, as far as I’m concerned. =)

Postal Backlog

Man… I got a lot of posts that I’ve been meaning to make on here, but I’ve been busy with some freelance work after-hours, so I just can’t seem to get around to it. But I needed a break from some tedious HTML stuff and so I figured I’d just dip into my list of bookmarks and see if i couldn’t get at least one thing up tonight. In fact, maybe I can just poop out a bunch of posts in rapid-fire fashion. Yeah… Let’s give that a try:

Well… it’s a start. I promise you all those links are thematically related. If you are having a hard time finding the commonalities, you can buy me several beers and I will explain it to you in unnecessary detail. Alternately, we could play darts. But for now… It’s back to DIVs and SPANs for me!

Someone call Ted Stevens

I think there’s a problem with The Inter-tubes

DPRK WANTS TO RIDE THE BIKE OF PEACE!

WFMU directs us to the Voice of Korea website where they are apparently in the process of organizing a “ROCK FOR PEACE” event in Pyongyang. The concept goes as follows:

If you are a band playing any kind of rock, including heavy metal, then you can participate ‘ROCK FOR PEACE’ in Pyong Yang, the capital city of North Korea. This is the very first time in history that North Korea allows western musicians in the heart of DPRK territory to play capitalist popular music. There are few restrictions and conditions on participation but any band will be considered even though you are from USA. The lyrics should not contain admirations on war, sex, violence, murder, drug, rape, non-governmental society, imperialism, colonialism, racism, anti-DPRK, and anti-socialism. The concert will be held from March 01 to March 04, 2007 under the management of Voice of Korea. We currently received requests of 35 bands from 19 countries and participations are increasing everyday. ROCK FOR PEACE will be the 2007 version of Woodstock rock festival in 1969 but in different location and in different goals, We welcome every musician as long as they are purely music based without political intentions. For inquiries, email to Jean-Baptiste Kim, the head of Voice of Korea.

I think they neatly sum things up with their statement, “ROCK FOR PEACE will be the 2007 version of Woodstock rock festival in 1969 but in different location and in different goals.” But I have a feeling that they’re maybe a bit unclear on the idea of “capitalist” popular music e.g. “The lyrics should not contain admirations on war, sex, violence, murder, drug, rape, non-governmental society, imperialism, colonialism, racism, anti-DPRK, and anti-socialism.” Y’see, DPRK… The politics of popular music in the western world are intended to be explicitly anti-establishment, while implicitly supporting corporate profiteering. It’s taken us a long-ass time to make these seemingly irreconcilable forces work properly together, and we’re justifiably quite proud of the accomplishment. That said, I would love to hear what passes for an “anti-colonial” rock song, so I wish these guys the best of luck.

“Come on and let it snow.” Ouch.

“Oh come on Mikey, you know as well as I do the record’s crap. But wouldn’t it be great if number one this Christmas wasn’t some smug teenager but an old ex-heroin addict searching for a comeback at any price? Those young popsters come Christmas will be stretched out naked with a cute bird balancing on their balls and I’ll be stuck in some dingy flat with me manager Joe, ugliest man in the world, fucking miserable because our fucking gamble didn’t pay off. So if you believe in Father Christmas, children, like your Uncle Billy does, buy my festering turd of a record. And particularly enjoy the incredible crassness of the moment when we try to squeeze an extra syllable into the fourth line.”
–Billy Mack (Bill Nighy), Love Actually

Whatever happened to Soy Bomb?

So on my credit card every time I spend ten dollars I get one “fun point” or “reward point” or something like that. And collecting these “points” is supposed to fill me with a sense of “empowerment,” or add a bit of levity to my “shampoo-purchasing-experience,” I think. Anyway, It wasn’t working, because I didn’t even know I was collecting these damn points until the credit card company sent me a cryptic email about “international travel” and “award opportunities.” It took me by surprise, since I was pretty sure that I wasn’t in the running for “highest monthly payment” or even “most inaccurate credit report” this year. So I clicked on the link and found out all about this reward program where I can trade in these points I’ve earned just by shopping for essentials like beer and toilet paper and kombucha and burritos, for cash or other fabulous cash-like prizes! For example, with the amount of “points” I’ve already accumulated, I can either get a check for $25 (minus whatever dumb tax I’ll end up having to pay on it) OR!!! I can get a gift card good for $50 from my choice of various American restaurants and retailers. For a moment, I thought about the value proposition facing me here; Whether $50 “at retail price” was worth more to me than $25 in cold, hard (pre-tax) cash. But then I realized… this is too much like work. So instead, I decided to seek out the most transcendentally useless piece of plastic crap on offer from fine, gift-card-honoring merchants such as The Pottery Barn and The Sharper Image. And it had to be something available online, because I wasn’t about to go to the mall for this.

Long story short, I bring you:

The Mock-U-Rapper™ Monkeys (plus their bird and barnyard buddies). I’m especially moved by the Sharper Image catalog editor who described the items as follows:

  • Record a quick three seconds of any message, then hear your message played back in crazy rap fashion.
  • Enjoy the funny voices of monkeys in shades — with mouths just flapping away in a rhythmic, stuttering chant.
  • Message plays just once; do another when you need to express some sentiment in a unique way.

Simply swapping out the words “monkeys in shades” for “three silly birds” or (my personal favorite) “a dumb pig, cow and horse” as appropriate in the text. Anyway, that’s pretty much all there is to say about the monkeys. But, I’ll be sure to make another post on here the next time that I… “need to express some sentiment in a unique way.”