Archive for the 'Uncategorized' Category

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It’s the future, get down!

Got some new musics for you guys. First up is Beyond the Wizard’s Sleeve which I first heard in this neat documentary about surfing in Indonesia’s Mentawai Islands:

I guess they do a bunch of remixing, but I dug around for awhile & found their album which includes the track from that video. Since it doesn’t appear to be in print anyplace, I’ll just link the whole thing here:

Beyond The Wizard’s Sleeve – Ark 1

Hat tip to @brainpicker on Twitter for the link to that documentary, btw! Next we have some weird/nerd rappers called Das Racist that I found out about via the always excellent Nation of Thizzlam. I am absolutely astounded by the density of cultural references that these guys include in their music. It sounds kind of like the internet *itself* wrote some of these tracks. I’ve listened to it about 3 or 4 times now and I’m still picking up new stuff each time. Here’s a sampling:

  1. Rhyming “parappa the rapper / napa valley”
  2. Kanye “Imma let you finish”
  3. Mr. Belding / zack attack
  4. “Wikipedia Brown”
  5. Jeff Mangum
  6. It’s fun to do bad things – Latarian Milton
  7. Arundhati Roy
  8. Dinesh D’Souza
  9. Finnegans Wake
  10. Da Dip by Freak Nasty
  11. That A1 commercial where a guy says “It’s you right here and right here…”

And I’m pretty sure that’s all from one song. Madness! Normally I’m not too into nerd-core rap, but unlike MC Frontalot or whatever, these guys can actually pull off dropping all those references without making me want to punch the glasses off their face. Anyway, you can download their album for free thanks to the awesome guys over at Street Boners and TV Carnage.

Oh and while I’m on the subject, you can stream the entire new Broken Social Scene album from NPR right now. And you should also listen to the new Caribou album on lala.com.

Music!!!!!

Anywhere, Anything, Anywhat…

Just testing out @anywhere integration from @twitter by telling you to follow @idontlikewords

The Limits of Control

Isaach De Bankolé in Night on Earth

As I was watching Jim Jarmusch’s The Limits of Control the other day, I thought to myself, “Oh man, I have to get the soundtrack for this!” And so I did. Then I was listening to it and it made me want to go back and listen to the soundtrack from Broken Flowers, another Jarmusch film. And then I got to thinking, “Hey… don’t I have the soundtrack to Night on Earth, too?” And as I was looking for that in my CD “archives” I found out that I also had the soundtrack to Ghost Dog. So, basically, every single time I’ve seen a Jim Jarmusch film, I’ve gone out and acquired the soundtrack afterwards. Actually, I don’t think I actually own the Dead Man one, but I’ve listened to enough Neil Young that it’s pretty academic. Also, I did see the Neil Young concert film that Jarmusch shot (on Super-8!) so that must count for something!

Anyway, after I realized all this, it made me think back to an article I read bout Jarmusch around the time that Dead Man came out. Which was in… shit… 1995?! Fuck knows how I remembered it, but anyway, here’s the link:

Addicted to Noise: Jim Jarmusch, Rock and Roll Director

And now that I’ve dug that link out of the depths of the Internet Archive, I feel compelled to say a few words about Addicted to Noise, which was probably the web site I visited most frequently during my first few years on the internet. I guess it was sort of like Pitchfork for people who hadn’t destroyed their attention spans yet. Something like that. Anyway, the thing that amuses me most now, looking back at ATN, is that in the days of 14.4K modems, they still went to the trouble of providing audio and video samples with their articles & reviews, although as you can see, they were careful to spell out exactly how large each file was, as well as providing “mono” versions, in case you didn’t want to sit around for an hour waiting for a 1.13MB file to download so you could hear a 45-second excerpt of whatever song they were talking about. Additional bonus LOLs can be had by noting that the downloads are actually MP2 files, instead of the MP3s we all came to know and love. And as I recall, the version of Winamp that I used to play these MP2 files actually had a setting that decoded the audio at half it’s original bitrate, which was quite helpful in getting them to play back on a 386DX without stuttering. And don’t even get me started on RealPlayer!

But enough about how old I am, let’s get back to Jim Jarmusch. So the quote I was looking for in that article was:

What I envy is that musicians can pick up an instrument and just express themselves. Film is so painstaking, it’s so long, and it’s such a process, that once you get on the train, you can’t get off. You gotta ride it all the way. I feel like somewhere along the way I got re-routed.

Which I remember finding pretty interesting, as a kid learning how to make movies at the time. And now having spent the past few years learning how to make music, I guess I’m just totally impressed by how consistently good Jarmusch’s films *and* soundtracks have been since then.

Which is all just a preface to saying: “Hey, you guys! Here is some awesome music!

  • Night on Earth Soundtrack [82MB ZIP Archive] by Tom Waits
  • Mulatu Steps Ahead [lala.com] a brand new album from the Ethiopian jazz musician (Mulatu Astatke) responsible for the Broken Flowers soundtrack
  • Addis to Axum [stream and/or download] a 1-hour DJ set by Quantic featuring records acquired during a trip to visit Mr. Astatke in Ethiopia in 2004

And, for the sake of leaving no link unlinked, here is the William Burroughs essay from which The Limits of Control takes its name.

OK, now that that’s done, I’m going to sleep. Rock over London. Rock on, Chicago! Mitsubishi: The word is getting aroOOOOOUND!!!!

Do Androids dream of electric sleep?

Great, I took a nap this afternoon and now apparently I’ll be up all night! Guess I’ll just amuse myself by installing Android apps like Swype and this mobile WordPress thing I’m using to write this post…

Lather, Rinse, Repeat, Repeat, Repeat

I like this story at lot. It sort of reminds me of “i went fishing with my family when i was five” by Tao Lin (text|video) but maybe with a bit of Bukowski or Wes Anderson thrown in there. More good stuff at that firmuhment blog too!

Not a sunrise, but a galaxy rise

In observance of St. Valentine’s Day, Google Reader & I just wanted to share these two stories about love & velocity:

  1. Carl Sagan & Ann Druyan’s Ultimate Mix Tape Of The Human Experience
  2. The Calculus of Saying “I Love You”

Bonus linkage: Here are some historical Valentine’s cards from the University of Iowa Digital Library Services department. I particularly enjoyed the 1907 rebus card (see above) although I think maybe the (heart) and (pants) symbols should switch places? In any case, make sure you click through to the link to check out some other pansy cards and a recipe for pink pie!

(See also: “Pink Pie” at the “blog” of “unnecessary” quotation marks)

UPDATE: Oops, almost forgot to include perhaps the greatest Valentine of all… I mean, how can you not love a Swear Bear? =D

Why Doesn’t Santa Scale?

Kris Kringle, the CEO of xmas.hup, has today gone on record as stating that rumors of widespread outages in his so-called “physical gift” distribution network (aka “SleighR”) are completely unfounded, and that this Thursday’s midnight launch event will go off without a hitch.

Over the last several weeks, Kringle’s detractors in the press have been hounding the “Jolly Old Elf” for details on how he plans to turn a profit by manufacturing and giving away over $30 billion in merchandise this December, a prospect which is only made more difficult by the sheer logistical nightmare of having to service over 7000 homes per second in order to meet delivery targets.

The xmas.hup East Palo Alto Distribution Center

The bullish Kringle remained cautiously optimistic however, his eyes twinkling merrily as he explained how his proprietary behavioral-targeting software would prioritize requests from “good” users, and why “crowd-sourcing” much of his work to parents and other charitable organizations was an innovative solution to a thorny distribution problem.

“In a lot of ways, we’re simply evolving from a free to ‘freemium’ business model,” said Kringle, during an impromptu meeting with bloggers on Monday. “And as long as people continue to find some kind of value in the xmas.hup brand, then we expect to see more and more users becoming active participants and content creators within our community.”

In response to cash flow questions, Kringle pointed out that his organization provides a variety of lucrative consulting services to Fortune 500 businesses, as well as being the beneficiary of undisclosed millions in licensing fees from these same companies.

While leading guests through one of his dozens of global distribution warehouses, the red-suited CEO stopped to point out how the QR codes printed on each shipping container would be scanned by powerful light-emitting diodes implanted in the noses of his reindeer.

“It’s this attention to optimizing our process that allows us to accomplish in just one night what might take other organizations a week or more!” he said (in a not-so-subtle dig at one of his main competitors, hannu.ca).

In any case, Kringle and his investors appear to be very well-situated regardless of the outcome of this week’s launch, as several tech heavyweights are said to have been in talks with the group recently about a possible acquisition.

“From a business standpoint, it makes perfect sense,” claims holiday analyst Charlie Dickens. “Kringle and his team have done an amazing job finding an audience in the important 3-13 demographic, but they’ve had a hell of a time holding on to older users! The right partnership could allow them to engage those customers in a lifelong series of irrational beliefs and purchases.”

In a related story, the results of the EU’s action against xmas.hup over Kringle’s requirement of “cookies” are still not expected to be known until Q3 2010.

Frame of Reference

For whatever reason, the way my mind often works is by relating new input and experiences to an existing “reference” from the past, whether real or fictional. More often than not, these reference points are from an episode of the Simpsons. For example, if I were to overhear or witness somebody making an attempt to appear knowledgeable about a topic or situation that they really didn’t understand, my brain would immediately jump to the moment in an old Simpsons episode (Sideshow Bob Roberts)where Bart & Lisa are recounting all their past encounters with Sideshow Bob to Homer, who can’t recall any of them. After some considerable effort, he remembers what they’re talking about, and he attempts to excuse his prior cluelessness by saying “Oh… SideSHOW Bob!” as if he had confused him with another person having an equally ridiculous name. So anyway, my point is that when I find myself in a situation where somebody is trying to disguise their ignorance or thickheadness by means of circumlocution, I just think to myself (or occasionally say out loud) “Oh… SideSHOW Bob!” and laugh to myself  about it.

So all of this is just to give you some background on the next few links I’m going to post. Because another of my “standard” references has to do with somebody rambling on in a stream of consciousness that doesn’t appear to be going anywhere and their language becomes more confused and ornate with each passing moment until it seems like a tidal wave of ridiculousness might crash over their heads and drag the entire monologue back out into the sea of irrelevance, and that reference is from a classic episode of Mr. Show, in which a famed “travelist” recounts his experience on safari in search of the African lion. Here’s a quote:

The lion moves! Each muscle so vast it moves like a school of fish moving together with one mind and all the hairs on the tip of your penis spring forth! And the long hank of unbraided hair tickles the scrotum at the base of your knee. In your hunter’s crouch you feel the nipples on your ass become erect….

You really need to watch the video in order to appreciate the crazy, ranting nature of his diatribe though. So here it is:

Ok, so now with *all* that explanation out of the way, I just want to share with you this link to a web page that I came across today, that attempts to explain why Evangelion is being re-released to theatres:

Evangelion 1.01: You Are (Not) Alone

Anyway, if you click on the “What are we attempting to create by doing this once more?” link, you’ll be treated to a multi-page essay that ultimately boils down to “BECAUSE WE WANT YUOR MONEYS” that I personally find pretty  hilarious. Here’s a (brief!) excerpt:

In this closed, stagnant modern era, I think what is important is not to have a technical discussion, but to state one’s aspirations. The teens and tweens are supposed to be the primary demographic supporting animation, but as they lose interest, I feel that there needs to be a work of animation targeted towards them. It is so that we may be free of the past, refrain from taking advantage of the present, and aim for a future with progress.

OK… This concludes my strange and pointless journey up my own ass. Thanks for stopping by!

Money, Cash, Hoes

vlcsnap-2009-11-07-12h01m34s108

A couple months ago I started reading this series of posts called “The Money Diaries” on the blog I WIll Teach You To Be Rich. The series follows a different reader of the blog every few weeks, and asks them to document all of their financial transactions and decision-making for a seven day period. It’s a pretty interesting window into what’s usually a private matter, and in many cases good for a few laughs as well. I was particularly amused by the guy who talked about getting high and buying cell-phone accessories, for instance.

Anyway, after reading that for a while, I discovered that it was based on *another* blog series, New York Magazine’s “Sex Diaries” which follows the exact same pattern except that diarists are asked to detail all of their sexual & romantic interactions for a week. Here you’ll read about such characters as “The Semi-Retired Engineer Who Has Discovered Nudism, Tantra, and Internet Porn” and “The Ex-Banker Living on Alcohol, Hookups, and Unemployment“.

Recently NY Mag published a “critical (but highly sympathetic)” analysis of the past few years of these diaries, which attempts to identify some common threads and shared experiences among the diarists. These are presented as a series of “anxieties” (the anxiety of making the wrong choice, the anxiety of appearing delusional, etc.) and the role of technology (particularly the cell phone) in catering to and/or creating these anxieties is also examined in some detail. (Which, in case you’re wondering, is why this post begins with an awesome portrait of Yoshiaki Zumino, the great spirit of cellular phones and other cordless devices, from Episode 3 of “Tenchi in Tokyo”, who derives his power from the collective angst and misery of relationships ruined by cell phones. BTW, it’s actually a really funny episode, you should check it out!)

Well anyway, now you’ve got plenty of stuff to read (and watch) on this Sunday afternoon. Enjoy!

This is Radio Freedom

There’s a pretty cool documentary available for download from your favorite torrent site (or for streaming on Vimeo) at the moment. It’s called “Us Now” and it looks into the way that new communication technologies are beginning to change the way that people, organizations, businesses and governments organize themselves and carry out their work. Here’s the Vimeo link:

Watch “Us Now” on Vimeo

I actually became aware of it while browsing the “movies” section on mininova the other day, where it was (at the time, anyway) ranked #1 in terms of concurrent downloads, outpacing Hollywood blockbusters like Surrogates, Zombieland, Up, Star Trek and etc. Which is apropos since, to quote the film itself:

We are living through what economists have called an positive supply side shock to the amount of freedom in the world. More people can say more things to more people than ever in history and that is still growing enormously.

And while it’s unclear exactly what effect that “shock” is going to have on the film and music and publishing industries (not to mention government and society at-large) it’s definitely something worth spending a few moments to consider. Because we’ve been faced with similar examples of systemic change throughout our history, and in many cases failed to realize the opportunities afforded by these changes, ceding victory to the forces of inertia and tradition. Not to say that’s necessarily a bad thing, but consider the example of the industrial revolution, in which global productivity increased by several orders of magnitude, presenting humanity with the chance to completely reconsider the relationship between work and leisure. But instead of taking this opportunity to redistribute leisure equitably among all workers, our adherence to a traditional morality that praises the “virtue” of hard work has created a situation in which many are overworked and an increasing number are unemployed while government and corporate entities continue to enrich themselves on the surplus of industrial output.

But it didn’t need to be this way. Bertrand Russell, writing “In Praise of Idleness” in 1932 proposed the following:

In a world where no one is compelled to work more than four hours a day, every person possessed of scientific curiosity will be able to indulge it, and every painter will be able to paint without starving, however excellent his pictures may be. Young writers will not be obliged to draw attention to themselves by sensational pot-boilers, with a view to acquiring the economic independence needed for monumental works, for which, when the time at last comes, they will have lost the taste and the capacity. Men who, in their professional work, have become interested in some phase of economics or government, will be able to develop their ideas without the academic detachment that makes the work of university economists often seem lacking in reality. Medical men will have time to learn about the progress of medicine, teachers will not be exasperatedly struggling to teach by routine methods things which they learnt in their youth, which may, in the interval, have been proved to be untrue.

Above all, there will be happiness and joy of life, instead of frayed nerves, weariness, and dyspepsia. The work exacted will be enough to make leisure delightful, but not enough to produce exhaustion. Since men will not be tired in their spare time, they will not demand only such amusements as are passive and vapid. At least one per cent will probably devote the time not spent in professional work to pursuits of some public importance, and, since they will not depend upon these pursuits for their livelihood, their originality will be unhampered, and there will be no need to conform to the standards set by elderly pundits. But it is not only in these exceptional cases that the advantages of leisure will appear. Ordinary men and women, having the opportunity of a happy life, will become more kindly and less persecuting and less inclined to view others with suspicion. The taste for war will die out, partly for this reason, and partly because it will involve long and severe work for all. Good nature is, of all moral qualities, the one that the world needs most, and good nature is the result of ease and security for all; we have chosen, instead, to have overwork for some and starvation for the others. Hitherto we have continued to be as energetic as we were before there were machines; in this we have been foolish, but there is no reason to go on being foolish for ever.

So yeah. Maybe whatever revolution it is that’s going on right now is another chance to stop being foolish. To dismantle some of the unidirectional, broadcast models of “communication” that have helped to create the neurotic, image-obsessed society we live in, and to experiment with some new means of expression.

Or maybe, as David Berman said about MDMA, it will only serve as a new kind of opiate for the “strangely passive kids who grew up in the child protectorate of the U.S. eighties and nineties [and] came of age, craving depersonalization. Apparently it helps them dance. They’re a very attractive lot. Have you seen them dance?”

Additional Reading:

Emergence: The Connected Lives of Ants, Brains, Cities and Software (2001) Steven B. Johnson

Everything is Miscellaneous: The Power of the New Digital Disorder (2007) David Weinberger